山东沾化，一个位于渤海之滨的小县城，这里有绵延千年的渔家文化，也生长了吟唱数百年的渔饱读戏。渔饱读戏历经荣枯期望着沾化东说念主的传承，沾化渔饱读戏剧团就出身在这里，再过不久安捷影音播放器官方下载，这个出自小县城、小戏种的小剧团，将受邀去埃及投入国外现实戏剧节，登上国外舞台。

　　一座小城，因为一群东说念主的死守和冲突，将渔饱读戏这一方小戏唱成了一出大戏，而对于渔饱读戏破圈成长的故事，不仅是一个方位小戏种于逆境中迸发力量的故事，更是小城小剧团奈何取销生涯错愕的故事。

　　“小城里出大戏，小剧团里出极品”的荒废场所印证了渔饱读戏的凯旋，而沾化渔饱读戏剧团的凯旋，也为世界同类院团提供了珍摄的训诲。

　　更生之路

　　渔饱读戏距今有300余年历史，于2008年6月被列入国度非物资文化遗产名录，因主唱者怀抱渔饱读，手抓简板击节说唱而得名，在山东境内广为流传。凭借无邪解放的饰演实质和接地气的演唱样式，渔饱读戏深受庶民闪耀。

　　但是，由于渔饱读戏属于方位小戏，长期以来从未登上大的舞台，奈何传承，一度堪忧。

　　曾几何时，沾化渔饱读戏剧团的前身——沾化吕剧团也同样濒临生涯的逆境。改制前，剧团资金穷乏，不雅众流失，创作乏力，实在堕入了停滞景况。

　　“我是在2005年接任沾化吕剧团团长，那技能，极端不景气，献技场次越来越少，通盘这个词剧团一年收入两三万块钱。”时于当天，渔饱读戏剧团的致密东说念主王春贞回忆起改制前的冗忙岁月，口吻中依然带着一点千里重。

　　他说，那技能有的演员去蹬三轮、卖芽菜、卖服装、炸油条。能不行给剧团找到出息的问题每天都困扰着王春贞。

　　但是，恰是这种逆境，引发了他和团队变革的决心。

　　那技能，院团的一位诚笃傅告诉王春贞，沾化有个宝贝叫渔饱读戏，深受当地全球闪耀，只不外由于传承东说念主都已年老，渔饱读戏和吕剧团同样，也已经走到了死活的十字街头。

　　即是在这种格外冗忙的情况下，王春贞屡次磨砺学习渔饱读戏，并下定决心：剧团改制，自夸盈亏，而且吕剧团改唱渔饱读戏！

　　“为什么要改唱渔饱读戏？在省内，吕剧唱得再好，唱不外省级吕剧团。咱们只可找我方的门路，淌若改制凯旋，皆大悦目，各人一块受益。淌若改制失败，通盘的开支我一东说念主承担！”王春贞说。

　　彼时，剧团刚改制况兼转唱渔饱读戏，但沾化只须四个老艺东说念主还能唱渔饱读。于是，剧团就和老艺东说念主同吃住，“他们手把手地教，一句一句地教，咱们一句一句地学唱。”

　　从吕剧转学渔饱读戏，剧种之间的差别确定是不同样的，但通盘这个词沾化渔饱读戏剧团已经莫得退路，唱好渔饱读戏，况兼唱出名头是他们独一的出息。

　　在这种极点贫苦的情况下，济河焚州的王春贞们愣是一句句、一幕幕地排出了圆善的作品。又在老艺东说念主的提醒下，抠细节，作念栽培，尽量把作品打磨成型。

王春贞（中）在排演现场

　　功夫不负有心东说念主，鼎新很快出现。

　　在2006年举行的中国博兴国外小戏艺术节上，设立刚一年的沾化渔饱读戏剧团首校服利，他们的作品《审衙役》取得了7项大奖，总分第别称。

　　那天是2006年4月29日，这一天，王春贞耐久忘不了。

　　那一天是沾化渔饱读戏团的更生，亦然渔饱读戏的更生。

　　破圈之路

　　有当作就有地位，有生命力才有市集。初校服利，让沾化渔饱读戏剧团在省内站稳了脚跟，但皆备难言凯旋。王春贞深知，只须不断改进，能力诱骗不雅众，能力在市鸠合存身。

　　“咱们不仅要传承传统，还要让传统欣喜新的生命力。”他时常对团队这么说。“咱们的郑板桥三部曲诚然是古装戏，但是咱们演古说今，这即是生命力所在。”

　　为了保证抓续的作品输出，沾化渔饱读戏剧团组建了一支年青而敷裕创造力的创作团队，深刻挖掘沾化方位文化，将渔饱读戏的传统元素与当代艺术模样相结合，创作出了一批既具有方位性情又合稳妥代不雅众审好意思的优秀作品：

　　2009年，剧团排演的郑板桥系列剧之二《追龙缸》，再获“中国戏剧奖·小戏小品奖”大赛的“优秀剧目奖”，沾化渔饱读戏被列入第一批国度级非物资文化遗产彭胀名堂名录。

　　2011年安捷影音播放器官方下载，郑板桥系列剧之三《打板桥》再登“中国戏剧奖·小戏小品奖”大赛榜首，竣事“三连冠”。

　　2017年，作品《老邪上任》如故推出，就凭借障碍动东说念主的剧情、诙谐幽默的饰演和渔饱读戏特有的唱腔，赢得不雅众和各人的一致叫好。并于2019年5月23日一举摘得十八届戏剧类“群星奖”。

　　频年来，沾化渔饱读戏更是佳作频出：《今夕何夕》取材于《唐外传·义侠》， 薪金了晚唐技能的一段恩怨故事，情节跌宕治愈，发东说念主深省；《煮海》则是戏曲舞台上第一次呈现“盐文化”的剧目，作品以“盐”为引子邻接起历史与今天，借“盐文化”爽快深化主题，整部剧作既具有传统戏曲的生动魔力，又不欠妥代审好意思的新颖感，给不雅众带来了全新的视听体验。

渔饱读戏剧照

　　这些原创作品不仅在土产货上演时场场爆满，还屡次受邀投入世界性的戏剧展演，赢得了粗鄙赞颂，《今夕何夕》更是受到国外舞台邀约，行将成为首部走放洋门的渔饱读戏作品。而沾化渔饱读戏和他们的剧团也因此成为方位戏剧院团中的一匹黑马，走出了一条属于我方的破圈之路。

　　更令东说念主欣忭的是，沾化渔饱读戏的凯旋诱骗了无数年青东说念主的原谅。一些来自顶级学府的年青东说念主纷繁加入剧团，为剧团注入了极新血液，同期也带来了前沿的理念。

　　“当初只须20多东说念主，当今咱们发展到40东说念主傍边，一年咱们献技300场傍边，与其说咱们赞成了渔饱读戏，不如说渔饱读戏赞成了咱们！”王春贞说。

　　传承之路

　　沾化渔饱读戏剧团的故事，是一个对于变革与死守的故事。通过改制竣事自我解决，通过原创作品恋新忘旧，通过死守初心传承文化，剧团在小城市的小戏院里竣事了大发展，成为方位戏剧院团自我造血、自我发展的典范。

　　沾化渔饱读戏剧团的凯旋，不仅为世界同类院团提供了珍摄的训诲，也为方位文化的传承与改进注入了新的活力。在这个小城里，一出出大戏正在上演，而沾化渔饱读戏的故事，也将链接书写下去。

渔饱读戏取得群星奖

　　Zhanhua， a small county (now a district) located on the coast of the Bohai Sea in Shandong province， is home to a millennia-old fishing culture and has given birth to the centuries-old Yugu Opera. Yugu Opera has experienced both rise and decline， yet it continues to be cherished and passed down by the people of Zhanhua. The Zhanhua Yugu Opera Troupe was born in this very place. Before long， this small troupe from a small county and a minor opera genre will be invited to participate in the International Experimental Theatre Festival in Egypt and step onto the international stage.

　　A small county， through the perseverance and innovation of a dedicated group of people， has transformed the local Yugu Opera from a minor regional drama into a major theatrical production. The story of Yugu Opera's breakthrough and growth is not only about how a local theatrical genre can unleash its potential in adversity but also about how a small county's drama troupe overcomes existential anxieties.

　　The rare phenomenon of “a small city producing a grand drama and a small troupe creating high-quality works“ has validated the success of Yugu Opera. Moreover， the success of the Zhanhua Yugu Opera Troupe has provided valuable experience for similar troupes across the country.

　　The Path of Rebirth

　　Yugu Opera， with a history of over 300 years， was inscribed on the National Intangible Cultural Heritage List in June 2008. It is named for the performers who hold a “yugu“ (a type of drum) in their arms and use bamboo clappers to keep the rhythm while singing and reciting. Widely popular in Shandong Province， Yugu Opera is beloved by the public for its flexible and free-form performance content and its down-to-earth singing style.

　　However， as a local minor drama， Yugu Opera has long been confined to small stages and has never had the opportunity to perform on larger platforms. As a result， its future as a cultural heritage has been a cause for concern in terms of preservation and transmission.

　　Once upon a time， the predecessor of the Zhanhua Yugu Opera Troupe—the Zhanhua Lu Opera Troupe—similarly faced dire survival challenges. Before the reform， the troupe was plagued by financial shortages， a dwindling audience， and a lack of creative vitality， almost falling into a state of stagnation.

　　“I took over as the director of the Zhanhua Lu Opera Troupe in 2005. Back then， things were really bleak. The number of performances was dwindling， and the entire troupe's annual income was only twenty to thirty thousand yuan，“ Wang Chunzhen， the head of the Yugu Opera Troupe， recalled the tough times before the reform， still with a hint of gravity in his voice.

　　He said that at that time， some actors had to resort to pedaling rickshaws， selling bean sprouts， selling clothes， or frying dough sticks to make a living. The question of whether a way out could be found for the troupe haunted Wang Chunzhen every day.

　　However， it was precisely this predicament that ignited his team's determination to bring about change.

　　At that time， a veteran master from the troupe told Wang Chunzhen that there was a treasure in Zhanhua called Yugu Opera， which was deeply loved by the local people. However， just like the Lu Opera troupe， Yugu Opera had also come to a crossroads of survival and extinction because its inheritors were all advanced in age.

　　It was under these extremely difficult circumstances that Wang Chunzhen conducted multiple investigations and studies on Yugu Operaand made up his mind: to restructure the troupe to be financially self-sufficient， and to switch from performing Lu Opera to Yugu Opera!

　　“Why switch to Yugu Opera? No matter how well we perform Lu Opera within the province， we can never outperform the provincial Lu Opera troupes. We have to find our own path. If the restructuring succeeds， everyone will benefit and be delighted. But if it fails， I will take responsibility for all the expenses myself!” said Wang Chunzhen.

　　At that time， the troupe had just been restructured and switched to performing Yugu Opera. However， in Zhanhua， there were only four elderly artists who could still perform this opera. So， the troupe members lived and ate with these veteran artists， “They taught us step by step， line by line， and we learned to sing line by line.”

　　Transitioning from Lu Opera to Yugu Opera certainly involved differences between the two genres. But for the entire Zhanhua Yugu Opera Troupe， there was no turning back. Performing Yugu Opera well and making a name for themselves was their only way forward.

　　Under such extremely difficult circumstances， Wang Chunzhen and his team， with their backs against the wall， painstakingly rehearsed line by line and scene by scene to produce a complete work. Under the guidance of the veteran artists， they refined the details and made improvements， striving to perfect their performance.

　　Their efforts paid off， and a turning point soon emerged.

　　At the 2006 China Boxing International Mini-Opera Festival， the Zhanhua Yugu Opera Troupe， which had only been established for a year， achieved a resounding success. Their work “The Trial of the Constable“ won seven major awards and topped the overall score.

　　That day was April 29， 2006—a day that Wang Chunzhen would never forget.

　　That day marked the rebirth of the Zhanhua Yugu Opera Troupe， as well as the rebirth of Yugu Opera itself.

　　The Path to Breaking Through

　　Where there is achievement， there is standing; where there is vitality， there is a market. The initial victory allowed the Zhanhua Yugu Opera Troupe to establish a foothold within the province， but it was by no means a definitive success. Wang Chunzhen was well aware that only through continuous innovation could they attract audiences and secure a position in the market.

　　“We must not only preserve tradition， but also breathe new life into it，” he often said to her team. “Our 'Zheng Banqiao Trilogy' may be set in ancient times， but we use these stories to convey contemporary messages. That is where the vitality lies.”

　　To ensure a continuous output of works， the Zhanhua Yugu Opera Troupe established a young and creative production team. They delved deeply into the local culture of Zhanhua， combining the traditional elements of Yugu Opera with modern art forms. As a result， they created a series of excellent works that not only reflect local characteristics but also meet the aesthetic demands of modern audiences:

　　In 2009， the troupe's production of the second installment of the Zheng Banqiao series， “The Chase for the Dragon Jar“， once again won the “Outstanding Play Award“ at the “ChinaDrama Award·Playlets and Sketches Competition.“ In the same year， Zhanhua Yugu Opera was included in the first batch of the National Intangible Cultural Heritage Expanded Project List.

　　In 2011， the third installment of the Zheng Banqiao series， “Beating Banqiao“， once again topped the “China Drama Award·Playlets and Sketches Competition，“ achieving a “three-peat“ championship.

　　In 2017， the production “Lao XieTakes Office“ won over audiences and experts alike immediately upon its release， thanks to its intricate and touching storyline， witty and humorous performance， and the unique vocal style of Yugu Opera. On May 23， 2019， it went on to win the 18th “Star Award“ in the drama category.

　　In recent years， Zhanhua Yugu Opera has seen a continuous stream of outstanding works. “Jinxi Hexi“ was adapted from the Tang Dynasty legend “Yixia“ and tolda story of revenge and gratitude set in the late Tang period. The plot was full of twists and turns， and it was thought-provoking.“ Boiling the Sea Water“ was the first-ever Yugu Opera to present the theme of “salt culture“ on the stage. The work used “salt“ as a medium to connect history and the present， refining and deepening its theme through the essence of salt culture. The entire production combined the vivid charm of traditional opera with the novelty of modern aesthetics， offering audiences a brand-new audio-visual experience.

　　These original works have not only been performed to packed houses locally， but have also been invited multiple times to participate in national drama exhibitions， where they have garnered widespread acclaim. “Jinxi Hexi“ has even received invitations to international stages and is set to become the first Yugu Opera production to step onto the global stage. As a result， Zhanhua Yugu Opera and its troupe have emerged as a dark horse among local drama troupes， forging a unique path to breaking through.

　　More encouragingly， the success of Zhanhua Yugu Opera has attracted the attention of a large number of young people. Many young talents from top-tier universities have joined the troupe， bringing in fresh blood as well as cutting-edge concepts.

　　“Initially， we only had about 20 people. Now we have grown to around 40 members. We perform about 300 shows a year. It’s not so much that we have saved Yugu Opera， but rather that Yugu Opera has saved us!“ said Wang Chunzhen.

　　The Path of Inheritance

　　The story of the Zhanhua Yugu Opera Troupe is one of transformation and perseverance. By restructuring to achieve self-management， continuously innovating through original works， and steadfastly preserving cultural heritage， the troupe has realized significant growth within the confines of a small county’s modest theaters. It has become a model for local drama troupes in terms of self-sustainability and development.

　　The success of the Zhanhua Yugu Opera Troupe not only offers valuable experience for similar troupes nationwide but also infuses new vitality into the inheritance and innovation of local culture. In this small county， grand performances continue to unfold， and the story of Zhanhua Yugu Opera will keep being written.

　　视频直播中心、民众网滨洲站、无尽职责室合并出品

　　有计划：魏鹏 冯炜程 辛然

　　案牍：马鑫 张一帆

　　翻译：武玮佳